Describe the theoretical frameworks that underpin advanced choreography and their application in creative works.
Theoretical frameworks in advanced choreography serve as intellectual foundations that guide and inform the creative process. These frameworks provide choreographers with conceptual tools and principles to explore, analyze, and articulate their artistic intentions. The application of theoretical frameworks in creative works not only influences the movement vocabulary but also shapes the underlying concepts, narratives, and overall choreographic structure. Here's an in-depth exploration of key theoretical frameworks underpinning advanced choreography and their application in creative works:
1. Laban Movement Analysis (LMA):
Laban Movement Analysis, developed by Rudolf Laban, offers a systematic approach to understanding and categorizing human movement. It encompasses the components of Body, Effort, Space, and Shape (BESS). Choreographers apply LMA to deconstruct and analyze movement qualities, facilitating a nuanced exploration of the physicality, dynamics, and expressivity of movement in their choreographic works.
2. Bartenieff Fundamentals:
Bartenieff Fundamentals, influenced by Irmgard Bartenieff, focuses on the integration of body connectivity, breath, and spatial awareness. Choreographers apply Bartenieff principles to enhance movement efficiency, connectivity, and overall body awareness, fostering a holistic approach to choreographic expression.
3. Postmodern Dance Philosophies:
Postmodern dance philosophies, emerging in the mid-20th century, challenge traditional notions of dance and emphasize everyday movements, pedestrian actions, and the democratization of the performer-audience relationship. Choreographers drawing from postmodern principles may incorporate pedestrian gestures, task-based movements, and collaborative structures in their creative works.
4. Release Technique:
Release technique, associated with choreographers like Martha Graham and Merce Cunningham, emphasizes the release of muscular tension to facilitate fluid, organic movement. Choreographers applying release technique explore weight, momentum, and breath to create movements that prioritize ease, flow, and dynamic responsiveness in their choreography.
5. Gaga Movement Language:
Gaga, developed by Ohad Naharin, is a movement language that focuses on the exploration of sensations, improvisation, and the relationship between effort and form. Choreographers applying Gaga principles may encourage dancers to tap into internal sensations, fostering a deep connection between the body, mind, and emotional states in their creative works.
6. Forsythe's Choreographic Objects:
William Forsythe introduces the concept of choreographic objects, expanding the traditional boundaries of choreography. Choreographers influenced by Forsythe may incorporate interactive installations, digital elements, or non-dancer performers as integral parts of their choreographic works, challenging conventional notions of dance composition.
7. Dance Dramaturgy:
Dance dramaturgy involves the structuring of choreography with a focus on narrative, theme, or concept. Choreographers draw from dramaturgical principles to craft cohesive and meaningful narratives within their works, creating a clear and intentional choreographic arc.
8. Poststructuralist Philosophy:
Poststructuralist philosophy, with influences from thinkers like Michel Foucault and Judith Butler, challenges fixed meanings and embraces the idea of multiple perspectives. Choreographers applying poststructuralist principles may explore the deconstruction of movement stereotypes, gender roles, and cultural norms in their creative works.
9. Somatic Practices:
Somatic practices, such as Alexander Technique or Feldenkrais Method, emphasize the integration of mind and body, promoting heightened awareness and efficient movement patterns. Choreographers incorporating somatic principles may guide dancers to explore internal sensations and mindfulness, contributing to a more embodied and conscious choreographic experience.
10. Environmental Psychology:
Environmental psychology explores the impact of physical environments on human behavior. Choreographers may draw from this framework to consider the spatial relationships, audience-performer dynamics, and the overall atmospheric qualities of performance spaces in their choreographic design.
In conclusion, theoretical frameworks in advanced choreography serve as essential tools for choreographers to conceptualize, analyze, and innovate within the realm of movement and expression. These frameworks offer a diverse array of perspectives, allowing choreographers to navigate the complexities of the creative process and push the boundaries of traditional dance forms. The application of these theories enriches choreography, fostering a dynamic dialogue between movement, concepts, and the broader cultural and intellectual landscape of contemporary dance.