When a subject moves quickly and the Cinematic Mode blur looks glitchy around their edges, what advanced technique should you use in post-production to refine the depth map and make the blur smoother?

When a subject moves quickly and the Cinematic Mode blur appears glitchy around their edges, the advanced technique to refine the depth map and smooth the blur in post-production is manual depth map editing, often performed frame-by-frame. The depth map is a crucial component; it is a grayscale image where different shades represent varying distances from the camera, effectively dictating how much blur is applied to each pixel based on its perceived distance. Lighter areas typically correspond to closer objects in the foreground, while darker areas represent objects further back in the background. The glitchy blur occurs because the computational photography system, which automatically generates this depth map, struggles to accurately and consistently delineate the precise edges of fast-moving subjects across consecutive frames. This difficulty leads to inaccuracies in the depth map, resulting in visual artifacts such as halos around the subject, parts of the background bleeding into the subject, or an unstable blur transition. To correct these inaccuracies, the editor must access the underlying depth data within the Cinematic Mode video file using specialized tools found in professional editing software like Final Cut Pro or DaVinci Resolve, or even the native editing features on the capture device. Within these depth editing interfaces, the primary method involves using brush-like or scribble tools to manually 'paint' directly onto the depth map. The editor explicitly marks specific areas on a given frame as either foreground (to remain sharp or at a specific depth) or background (to be blurred). For fast-moving subjects, this refinement typically demands moving through the problematic video segment frame by frame, making precise adjustments to the depth map at each critical point to ensure the subject's edges are accurately defined and consistently tracked. A more labor-intensive but highly precise approach involves creating intricate masks around the subject and then rotoscoping these masks, which means animating their shape and position to follow the subject's movement across the entire sequence. These manually created or refined masks are then used to overwrite or guide the automatically generated depth map, ensuring the blur is applied accurately to the background while maintaining a clear, well-defined subject. Keyframing is an indispensable part of this process, allowing the editor to set specific points in time where manual adjustments or mask positions are defined, with the software then interpolating the changes smoothly between these keyframes. Once the edges are accurately defined, applying a subtle feathering or softness to the transition between the sharp foreground and the blurred background helps create a more natural, organic, and visually pleasing depth effect, preventing any harsh cut-out appearances.